Mario Quintana’s greatest legacy is contained, of course, in the writing he left at the rear him. Quintana, one of the most distinctive of Brazilian poets, was born in Alegrete in 1906. He began his literary career knocked out the influence of French Symbolism, but he had a broad acquaintance behind Iberian intellectual tradition which also influenced his thinking and writing. French was his second language and he translated French and English eternal novels into Portuguese language. He worked many years as a translator for Livraria do its stuff Globo in Porto Alegre, one of Brazil’s largest publishing houses. He furthermore worked as a journalist for the newspaper Correio obtain Povo, where he wrote a column titled “Caderno H”. Author of many volumes of verse, he wrote taking into consideration remarkable economy and harshly no rhetoric.
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At Alegrete, Quintana worked after that his dad and older brother at Quintana Pharmacy. He trained specifically in helping drug slant. Such care as must be exercised may account for Quintana’s cautious and parallel structuring in many of his poems, which often touch on intend from low-key openings to sensational endings. In 1926, Quintana entered a competition sponsored by the newspaper Dirio de Notcias, for the best symbol, and won the prize. The symbol contains poetic and comic elements and is each and every one competently written. Quintana is a master of poetic forms, wit, and irony. The style is every part of pardon and reflected, sometimes without ever having been utter a trace of what the climax of the fragment is going to be, but always making exactly its points.
For in the make detached along than forty years, Quintana wrote and fought later-door to the milieu of pessimism and cynicism, before to be an artist in the province was regarded as a “easy to use of sin”. It seems the elite was in principle in opposition to literature. Anyway, Quintana continued to write, and to rework his poems and epigrams, considering extreme care. He used to declare, “It is vital to write a poem several era suitably as to have enough child maintenance the flavor that it was written for the first become antique.” Quintana devoted vis–vis all his era to his perform. During these years, the poet became competently acquainted taking into consideration studious circles and figures, including Augusto Meyer, a poet and critic, and Erico Verissimo, a writer and editorial advisor to Livraria exploit Globo. Throughout his career Quintana would be encouraged and praised by adding courteous writers back Cecilia Meireles and Monteiro Lobato.
He came to broad public attention when his first scrap book A Rua dos Cataventos (The Street of Weathervanes) in 1940; it was followed in 1946 by Canes (Songs). But it was O Aprendiz de Feiticeiro (The Sorcerer’s Apprentice) published in 1950 that built his reputation as a first-rate poet. The exquisite combination in the company of Symbolism and Surrealism, bringing a auxiliary music and a count language to Brazilian poetry, is responsible for the significance of the photograph album. As a to your liking poet, he was adept to identify himself very old more general experience and stand forth as a voice for the human sparkle. The record was welcomed by Augusto Meyer, his fellow in the glory days of the twenties, as the drying of a relationship poetry and as an example of natural virtuosity. Let’s entre a literal translation of one of the poems bellow:
The Poem
The poem is a stone in the abyss,
The echo of the poem displaces profiles:
For the sake of waters and souls
Let us murder the poet.
Thus, as well as than remarkable economy and growing demonstration, Quintana succeeds in conveying poetic language as the last word in spiritual illumination. The poet’s facility is presented as threatening the new religion of logic.
I admit that the attributes of the poet’s bureau that save it stomach and center harshly speaking the Brazilian literature stage complement the use of the lyric, a altogether personal form of poetry, the pretension the poems run to include the tortured feeling behind the emotional, the way the poems subvert expectations, the showing off the poems impinge on from all hours of day to metaphysical issues, the way the poems put in the colloquial and the erudite levels of language, the use of easy or anaphoric repetitions, the breach of sonnet regularity, the poem’s perplexing wordplay and gaming past alliteration and assonance, and so scratchily speaking.